Shi Lifeng

Shi Lifeng's Utopian

by Bacardi

Shi Lifeng's latest works is about utopian, dream-like visions of life. Shi Lifeng tells compelling stories of present struggles in China with strong contrasting colours. The characters in his paintings are a nervous bunch. They are trying to leave a life of poverty and plight by running, jumping, climbing and - quite often - falling as well. It's life at the cliff's edge, aware of the present danger but with a strong message of hope for a better future.

Shi Lifeng is well known in the international art scene and has participated in over thirty national and international Art Exhibitions. He is also the first Chinese artist who was chosen for an international album cover design of the US rock band Guns N' Roses(Album Name: Chinese Democracy).

Portrayal of the collective spirit of help-seekers

Assessment of Shi Lifeng's Art creation

Usually the help-seekers are those of marginalized minority who could not be politically, economically or mentally self-reliant and survived in the society, in details, they are vulnerable groups of individuals. However, when we are faced with the images in Shi Lifeng's works, the general concept of the minorited help-seekers is fundamentally changed, that there is no specific characteristics of age, occupation, personality except the gender difference among this group people, in order to get out of the desperate plight, they are running, jumping, climbing and falling.

The figures in Shi Lifeng's works are not the generally-sensed small number of people, because the environment these people living in are always collected with the experience of the collectivizated chinese political and economic life, or with the collectivizated Chinese world view. In his earlier works he used the symbles of political power and the public social cases as the main background, in which the fate of ups and downs of the figures is changing along with the swinging of the rope and ladder in the wind, this is not a portrayal of one individual or of a group of people, but the actual state of all chinese in one period or even eras. Also the meaning in the works by Shi Lifeng is far more than simple and direct, in more works, we can see the running, climbing or falling persons struggling in boundless wilderness or in high-altitude, pacing up and down and hesitating in the closed walls or at the edge of steep cliff, From these images, we are aware of that the artist's vision seems to be more profound, he crossed the description on the specific environment, and tried to make more general and in-depth exploration on the relationship between people and their surrounding world. The fate showed in his works is not only related with the specific historical events and political space, also more linked with the concerning environment which formed people's individual view and world view. The history pages are turning, but where is the sky for people's inner hearts? The history influenced  people, but can it determine people's today and future? Of course, people always live in the history, but spend more time in the hope for present days and the future. how to be able to achieve the hope or how to pursue? the most important is on their own indivudual view and world view. To solve and overcome the plight in the collective mind of generations of chinese people, to set up the courage for life, the most fundamental is to learn to use the individual intellect and judge to create, instead of being interferenced and controlled by the so-called political.

Works by Shi Lifeng are full of sorrow, the figures have no specific personal characteristics, only strong rigid body motions covered in red, precisely, he have the images portrayed as similar puppet-like sculptures, it is only through their actions and the physical structures of an imbalance we can feel their difficultly-expressed inner pain and hope. because of the thick and heavy colour it's impossible to peep into their deep hearts which is closed to the external surroundings, no dialogues, no communications, but in order to change their situation they continuously kept strugglling and trying their best. By the using of the single red colour and the treatment on the parts of the high-light, The artist effectively conveyed such mood of sad. The red color is so bright and attractive but not only a reflection of the physical, for generations of chinese people, which is the most representative manifestation of the collective experience, today this colour is uniformly  parcelling these climbing people, It is incredible that they still be able to breathe and try to change their situation.

In order to strengthen the contradictions and conflicts between people and the environment, the artist intend to arrange the closed or steep space. And on the dealing with the relationship between primary and secondary characters, Shi Lifeng give prominence to the red impression of the figures and to the symbolism and the nervous sense of the physical actions by leaving big area in single red colour as the background and environment, This arrangement made his canvases like a stage with distance features, which created the contradictory contrasts between history and reality, individual and collective, subjective and objective. In Shi's latest artistic creation, he even restored the thinking on the relationship of this environment and the main figures from the plane canvas to the real three-dimensional space: that's his sculptures of red figures. Though the creation means on the shape and color had no change, but the existence of the FRP figures in the reality space must inevitablely bring out many kinds of unpredictable visual effects and psychological experiences upon the real surroundings, which it's probably difficult to express and expect in paintings.

From the stage of paintings to the one of reality, Shi Lifeng shifted his Strong attention on the fate of his characters from the image composing to the real life experience, which tells that Shi Lifeng indeed has a more broad and far-reaching vision on caring about the fate of the figures in his art works. He intended to create such an art scene as like the audience standing and experiencing in the real, intended to reproduce and upgrade the reality to arouse the audience's inner unspeakable feeling, because in reality everyone of us needs help for soul, only the expression on the collective unconscious helplessness and longings is achieved, then he is a true artist.

Works

Biography

1968

Born in Shijiazhuang, Hebei Province, China

1991

Graduated from the Hebei Normal University, Hebei Province, China

Selected Solo Exhibitions

2013

Red Classic-Shi Lifeng Solo Exhibition, Hong Kong

2012

Shi Lifeng's "Utopia" at Green T. House, organized by Soemo Fine Arts, Beijing, China

2010

Red Age•Shi Lifeng Solo Exhibition, Yang Gallery, Singapore

2007

Shi Lifeng Solo Exhibition, Yang Gallery, Singapore

Selected Group Exhibitions

2016

Singapore Contemporary Art Show(Asia Contemporary Art Show Singapore), Singapore

Asia Contemporary Art Show Hong Kong 2016, Hong Kong

Affordable Art Fair Hong Kong 2016, Hong Kong

2015

Soemo Fine Arts Collection ExhibitionSoemo Fine Arts, Beijing, China

Affordable Art Fair Hong Kong 2015, Hong Kong

Asia Contemporary Art Show Hong Kong 2015, Hong Kong

2014

Aff Hong Kong, Hong Kong

2013

Art Singapore, Singapore

Songzhuang Art Festival, Shangshang Art Museum, Beijing, China

Songzhuang Contemporary Art Exhibition, Yida Art Museum, Beijing, China

2011

SH Contemporary Art Fair 2011, by Soemo Fine Arts, Beijing, China

Contemporary Group Exhibition, Yijie Art Gallery, Shanghai, China

2010

Selection Works Exhibition of Contemporary Artists, Hefei, Anhui, China

2009

Red Man meet Sinful Ladies of the night, Soemo Fine Arts, Beijing, China

2008

Stockholm Art Fair, Stockholm, Sweden

Ling Factory Art Centre Regulations Exhibition, Ling Factory Art Centre, Beijing, China

2007

Art Basel, Basel, Swiss

Going Out of Songzhuang, Beijing, Shanghai, Shenyang, China

8 Chinese Contemporary Artists Exhibition, Copenhagen, Denmark

Ink gallery Winter Group Exhibition, Ink gallery, Beijing, China

New Femeal, London, England

Songzhuang Art Festival, Beiijng, China

Shanghai Duolun Museum of Modern Art, Shanghai, China

2006

Touch•Contemporary Shelf Painting of 25 Artists, Tour Exhibition, Beijing Contemporary Art Museum, Beijing, China

Hangzhou Yannan Art Organizition, HangZhou, China

The Group Exhibition of Beijing Artists, Guang Zhou, China

AAF Chinese Contemporary Arts, Jijie Gallery, Beijing, China

3rd Humanities Olympic Fine Arts, Beijing, China

1st Multimedia Arts, Songzhuang, Beijing, China

Pressure and Power of a Fugacious Era, Songzhuang Artists Courtyard, Beijing, China

Arts in Qianshao, Qianshao Gallery, Beijing, China

Zhiqinggo Gallery Opening, Zhiqinggo Gallery, Beijing, China

United Artists, Female Artists Center, Beijing, China

Shut up, Sun Gallery, Beijing,China

Songzhuang Artists Group exhibition, Songzhuang, Beijing,China

Impression & Contry document, Shanghai, China

2005

Songzhuang Ring, Songzhang Artists Gallery, Beijng, China

Songzhuang Road, Beijing, China

2004

China Contemporary, Qianjing Gallery, Beijing, China

Desolate City Vanguard Photography, the Netherlands

2003

China Contemporary, Mainland Gallery, Beijing, China

What the Important Is Cars, Minchegang of Wangfujing, Beijing, China

The 1st Young Artists Arts Exhibition, Jiri Arts Museum, Beijing, China

United Exhibition of 21 Contemporary Artists, Hilton Guanjin Gallery, Beijing, China

Art Works Auction, Tokyo Arts Project Gallery, Beijing, China

TAM Picture Exhibition, Paris, France

2002

China Contemporary Arts, Yanhuang Art Museum, Beijing, China

2001

Gather At Desenmen•China Avant Garde Arts, Yishen Gallery, Beijing, China

2000

Duyu Space Avant Garde Photography, Beijing Odeon, Beijing, China

1995

The 3rd Oil Works Exhibition of China, China Fine Art Museum, Beijing, China